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Gill Galloway-Whitehead
Gill uses the differing densities
of wire to create shapes and surface changes in much the same way as
she would use paint.
The fragile appearance of the wire suggests vulnerability. In
isolation it is quite weak but when manipulated into a mesh gains
strength. The contrast between the look of fragility and the actual
resilience plays with perception when embodied in one piece of work.
To contain the mesh within a frame can add to the visual tension
whilst also providing security. Each mesh is a painting; they are
miniature abstracts.
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John Moore
John uses anodised aluminium and silver, he explores the colour and
repetition of a shape based on a beetles wing, each piece of
jewellery has an organic movement and creates a delicate noise when
worn.
John has been able to develop his work, achieving a greater sense of
abundance and more sumptuous colours.
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Catherine Hills
Catherine creates one-off pieces and manufactures a batch range of
jewellery in silver and 18ct. gold. Inspired by natural forms, the
work combines sensuous liquid shapes with smooth crisp, highly
finished surfaces. It is organic, whilst incorporating a high tech,
science fiction feeling, where movement often plays its part.
Oxidised silver is used in juxtaposition with yellow gold and
coloured glass, or stone, to produce a striking colour contrast. The
dark recesses, inside the hollow forms, create their own mysterious
miniature world.
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Rachel Gogerly
Rachel designs and makes a range of handmade silver jewellery of the
highest quality and hand engraved with enamel.
The technique of enamelling which Rachel mostly uses is known as 'Champleve'.
The silver base is engraved to produce depressions into which the
enamel is fused. The background area is given an engraved design
which is visible through the translucent enamel colours used.
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Nick Hubbard
Nick devotes his time to model making, specialising in small
intricate sculptural figures. His love of miniaturisation can be
seen in his present work which incorporates figurative themes,
sometimes becoming comic allegories bearing words or a tongue in
cheek message.
Pieces are made in silver, gold and enamel.
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Michael Carpenter
Michael's current range of handmade jewellery reflects his love of
silver and 18ct gold. Each piece has a simple, classic elegance that
gives his jewellery its enduring appeal.
He draws his inspiration from African, Celtic and Architectural
motifs. He uses contrasts of metal, with Silver and 18ct, and
finishes with the use of polished and oxidised (blackened) surfaces.
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Sema Sezen
Sema is a German designer. She gets her inspiration from the many
folded shapes and forms in nature, the result is a synthesis of
precious metal and modern design with a hand-crafted quality.
Her focus is on jewellery decidedly modern, not in the sense of a
merely seasonal trend product but a rather contemporary design for
women who wish to underline their own style with a piece of
jewellery that grows into their hearts as a 'personal classic'.
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Peter Kibbles
Hand crafted pieces, using a mixture of silver, copper, brass and the use
of 18ct gold plating to create contrasting colours. Cast
elements and hand formed parts are assembled individually to produce
different collections: the abstract, primitive treatment of the Cat
range; quirky fish and seahorses of the Aquatic pieces; delicate &
summer-inspired Daisy Chain collection; a whimsical Jester range;
romantic hearts in the Pre-Raphaelite and Hearts & Flowers ranges.
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Jane Moore
"The inspiration for my jewellery often derives from creatures and
flowers both real and imaginary which are depicted in the art of
ancient cultures. I develop my ideas in a sketchbook and eventually
produce a finished design which I have photo-etched onto silver
sheet. Then using enamels I colour in the image."
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Katie Clarke
Katie's work is developed from the combination of two influences. Firstly
from an unwavering curiosity for learning diverse craft techniques,
in particular fly-tying used by fly fishermen. Secondly a great
inspiration from the complexity of shape, form and colours found in
nature. Combining these two influences using gold, silver,
non-precious metal, feathers, plastic and elastic
produces pieces bright in colour, intriguing in structure and
attractive to wear.
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Olivia Schlevogt
Olivia grew up in a family of German Goldsmiths. Her elegant
jewellery and silverware uses a distinctive style of inlaid golds,
in different colours, on a matt silver background. Some pieces
incorporate small brilliant cut diamonds.
Olivia works with simple geometric shapes folding and shaping the
precious metals into subtle sculptural forms.
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Lesley Strickland
Lesley has devised her own methods of making, particularly of
working in silver and acrylic. She explores the use of xelox which
is a cellulose material based on cotton oil that can be made in a
wide range of patterns and be manipulated into far more fluid forms
than the relatively brittle acrylic. Her current visual inspiration
comes from organic forms such as fossils, crustacea and plant forms.
Lesley's work has an elegant simplicity, many pieces are inlaid with
silver and given a matt finish.
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Naomi James
Naomi's designs are often inspired by her travels abroad to the Far
East where she sources unusual coloured beads & gemstones for her
jewellery designs.
She uses embossing techniques to create delicate patterns and motifs
on silver. The surface patterns are created by rolling with a
stainless steel template and hollow forms are pressed out using a
perspex tool. Much of her work includes detailing in gold and
coloured semi-precious stones.
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Alan Vallis
Some of Alan work is derived from forms and textures of the marine
environment. Other items are based on studied of archaeological
artifacts, historic jewellery techniques and tribal symbols.
Pieces are made in precious metals, sometimes with semi-precious
gemstones. The jewellery often uses modelled or figurative elements
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Jessica Briggs
Originally a textile designer, work by Jessica Briggs continues her
fascination with surface pattern and texture. Using a variety of
techniques Jessica produces simple and sophisticated jewellery,
fusing 23.5ct gold and 18ct lemon gold to silver and then
embossing patterns onto the metal surface before forming. Pieces may
be adorned with precious gemstones or oxidised to enhance the
contrast of the different coloured metals. Each piece is
individually worked and ideas evolve throughout the making
process.
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Wendy-Sarah Pacey
Wendy’s exciting jewels are made from a composite of clear and
coloured acrylics and metallic foils, using a unique technical
process which she has developed through continued experimentation.
The result is rich in pattern and texture and vibrant iridescent
colours. The smooth, curved surfaces and simple bold shapes allow
the light to reflect and refract, giving the depth and luminosity of
a precious gem. Stainless steel wires add technical interest to the
pieces by using the natural spring to create tension clasps. |
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Laura Baxter
Laura's work is inspired by botanical forms and her consists of
three collections 'Plant Detail', 'Blossom' and 'Garland'. All of
her jewellery is hand constructed using shaping, die-pressing,
piercing, soldering and forging techniques. Surface texture and
finishes are applied using roll-printing, punches, oxidising and
gold leaf.
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Amanda Cox
Amanda's work has developed from and been inspired by an exploration
of the tactile properties of metal, combined with the visual
qualities of simple organic forms discovered through nature. In her
ranges, which include gem set rings in a combination of silver &
18ct gold, and the delicately beautiful 'lily' designs incorporating
freshwater pearls of various hues, she has created not only elegant
bridal and partnership pieces, but also bold modern chunky pieces
available in a variety of finishes.
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All the Designs shown here are protected by Copyright and are
the intellectual property of the named designers.
No design may be reproduced or made up without the express
permission of the designer maker.
Any breach of Copyright will be vigorously pursued through legal
channels.
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